One Stamp Set Five Ways | Spring Sprigs

Hey crafty friends! Today I'm sharing a One Stamp Set Five Ways blog post. This is something a little different for me, but when I started playing around with the Scrapbook.com Spring Sprigs Stamp Set I just couldn't stop. I came up with so many ideas and I wanted to share all of them with you. I mostly used the Spring Sprigs Stamp Set to create backgrounds, but each technique is totally different. I also mixed in some die cuts for a bit of texture and added interest.

One Stamp Set Five Ways Cards by Juliana Michaels featuring Scrapbook.com Spring Sprigs Stamp Set

Distress Ink Stamp and Smoosh Technique


My first card features a favorite technique of mine...Distress Ink Stamp and Smoosh.

Happy Birthday Card by Juliana Michaels featuring Scrapbook.com Spring Sprigs Stamp Set

Before we get to this technique though, I began this card by randomly stamping the images from the Spring Sprigs Stamp Set onto a piece of Distress White Heavystock using embossing ink. I sprinkled them with white embossing powder and then heat embossed it using a heat gun. I like to use my stamp positioning tool when creating "random" stamped backgrounds. I play around with their position until the space is filled, stamp that section, heat emboss it and then repeat to fill up the rest of the card front.


Once the entire background was stamped and heat embossed, I then used the Distress Ink Stamp and Smoosh technique. For this technique, you stamp your ink pad onto a craft mat, spritz it with water and then smoosh your paper into the ink. Dry the paper with your heat tool and repeat the smooshing and drying until you are happy with the results. On this card I used Salvaged Patina Distress Ink. I then created a little interest by adding some ink splatters using Black Soot Distress Ink. To do this, I just unscrew the lid and then flick the end of the tube to create the splatters.


With the background completed, I trimmed the card down to 4 x 5.25 inches and adhered it to a piece of cardstock from the Scrapbook.com Boho A2 Paper Pad. Next, I added a couple of plain die cuts using the Tim Holtz Wildflower Stems 1 and Wildflower Stem 2.


For the sentiment, I die cut the Happy die from the Scrapbook.com Birthday Celebration Sentiments Dies. I wanted the sentiment to have some dimension, so I adhered the paper to a strip of 2" Double Sided Foam Adhesive and then die cut the word from it. It's a little tricky removing the die from the paper, but it's so much easier in my opinion than trying to glue layers of die cuts together to get the same look. To finish off the card, I  added the word "birthday" which I typed out, trimmed to size and adhered with strips of double sided foam adhesive.


Distress Oxide Stamp and Smudge Technique


This second card uses one of my favorite techniques - Distress Oxide Stamp and Smudge.

Thank You Card by Juliana Michaels featuring Scrapbook.com Spring Sprigs Stamp Set

It's such a fun and easy technique. You simply stamp each image using Distress Oxide Ink. After you stamp the image you use a paper towel or soft cloth to smudge the ink while it is still wet. On this card I used Distress Oxide Ink in Rustic Wilderness, Bundled Sage, Salvaged Patina and Peacock Feathers. To create this background, I randomly stamped the images onto the paper to create my own custom background. I then inked the edges with a bit of Salvaged Patina Distress Ink.


To finish off the card, I added a die cut sentiment from the Scrapbook.com Thank You Sentiments Dies and used the same technique I used on the first card.


Circular Stamping Technique


My third card only uses one stamp from the set, but I love the effect. All I did was stamp the image in a circular pattern from the center of the card front. 

Hugs Card by Juliana Michaels featuring Scrapbook.com Spring Sprigs Stamp Set

I used a stamp block to stamp the image but still placed my card on my stamp positioning tool to help hold the paper in place and to utilize the foam padding for a nice crisp image. I choose to use a stamp block because it was easier than having to reposition the stamp on the stamp platform each time.


With the background completed, I die cut it using this beautiful Diagonal Stitched Rectangles die from Pinkfresh Studio. I then layered on a die cut butterfly created using the Tim Holtz Butterflies Thinlits. For the sentiment I used the same technique with the paper and double sided foam adhesive with a word die from the Pinkfresh Studio Exclusive Thin Words Everyday Script Dies.


Wreath Stamping Technique
Tone on Tone Background Technique


On this 4th and final card, I used the Spring Sprig Stamps in two ways. I created a wreath and a tone on tone background. To make the wreath, I choose three stamps to use and I trimmed a piece of cardstock to a square. I then placed my stamp near the top of my paper and used my stamp positioning tool to stamp the image. I then rotated the paper a quarter turn and stamped the image again. This way the square paper is important. As you turn the paper, the stamp stays in the same place and creates a circle.

Hello Wreath Card by Juliana Michaels featuring Scrapbook.com Spring Sprigs Stamp Set

I repeated this rotating and stamping for a total of four times which created my first part of the wreath. I repeated this stamping and rotating for the second stamp and then the third stamp. I used Black Soot Archival Ink and then water colored the image using a water brush and Distress Ink in Salvaged Patina, Bundles Sage and Rustic Wilderness. Once the coloring was completed, I used a pair of scissors to fussy cut the wreath.


For the tone on tone background, I once again created a background by laying out my stamps using my stamp positioning tool. I then stamped them with Salvaged Patina Distress Ink onto a slightly lighter color of cardstock from the Scrapbook.com Cools A2 Paper Pad.


To finish off the card, I added a die cut sentiment using the Scrapbook.com Thank You Sentiments Dies. I die cut it from white cardstock adhered to double sided foam adhesive, like I did on the previous cards. However, I also die cut it from black cardstock and slightly offset it to achieve a shadowed effect.


I hope you all enjoyed my One Stamp Set 5 Ways blog post today. It was definitely a fun challenge for me to use one set multiple times and with a slightly different technique each time. By using similar colors throughout though, it made the process rather easy and enjoyable.


Supplies

Below you can find the products I used to create this project along with compensated affiliate links to Scrapbook.com. These links are at absolutely no extra cost to you. If you want to learn more about what an affiliate link is, you can see my full affiliate and product disclosure statement here

3 Ways to Use Scrapbook.com Pops of Color with Stencils

Hello friends! Today I'm back to share with you 3 Ways to use Scrapbook.com Pops of Color with Stencils. I've combined the Pops of Color with a variety of other mediums to create a set of handmade notecards. I love the idea stretching my supplies in new and unexpected ways. By mixing these various products you can create your own custom backgrounds with a rainbow of colors and textures that will suit your particular style or the theme of your project.

3 Ways to Use Scrapbook.com Pops of Color with Stencils Notecards by Juliana Michaels

1. Pops of Color + Ranger Opaque Texture Paste


For this first card, I combined Lemon Chiffon and Orange Sherbet Pops of Color with Opaque Texture Paste to create a beautiful golden yellow color. Opaque Texture Paste is what you would expect. It looks white in the jar and it dries white. So when adding the Pops of Color, you will want to add quite a bit to get this vibrant color however,  if you prefer a lighter color feel free to use less. It's up to you and the look you are going for!


Once you have the Pops of Color and Texture Paste mixed, use a palette knife to spread the mix over your stencil. I recommend using Mint Tape to help hold your stencil in place when applying the medium and if you are working on the Scrapbook.com Silicone Mat your paper won't slide around as you apply the mixture.


This mixture of Pops of Color + Opaque Texture Paste provide a wonderful smooth coverage. The only downside to this combination is that you lose the shiny pearlescent finish of the Pops of Color.


2. Pops of Color + Therm O Web Transfer Gel Duo


On this second card I have combined Bubblegum Pops of Color with Therm O Web Transfer Gel Duo to create a gorgeous shimmery background. This gel is white, but it dries clear, which makes it the perfect product to mix in and maintain the beautiful pearlescent finish of the Pops of Color. 


shared a set of cards using this technique before and in my opinion this combination gives you the best results if you are looking for a shiny, pearlescent look on your project.

To apply this mixture you will use the same process as before of applying it to your paper using a palette knife. For this card, I covered the entire panel with the mixture.


3. Pops of Color + Tim Holtz Distress Grit Paste


This final technique combines Pops of Color with Tim Holtz Distress Grit Paste to create a wonderfully textured finish. I made three separate mixtures, one for each color I used: Seafoam, Ocean Waves and Deep Sea. I then applied each of the colors to different areas of the stencil to create a fun, yet colorful background.


This paste is white and dries white, so again you'll want to make sure you mix in enough color to get the look you are going for with your design. As with the Texture Paste, this product also removes the pearlescent finish, but on the flip side, it provides a fabulous amount of texture.


As before, you will apply this mixture to your paper using a palette knife.


Here are some additional tips to keep in mind if you plan on trying any of these techniques:
1. I recommend using a heavy weight paper that can handle moisture, such as Distress White Heavystock or Distress Watercolor Paper.
2. With each of the techniques I'm sharing, I highly recommend that you immediately wash your stencil with soap and water to prevent the mixture from drying on your stencil.
3. Make sure to make time for the stenciled design to dry. I actually allowed mine to dry overnight. I did not attempt to speed up the drying process with a heat tool. However, if you are curious about this, you could certainly give it a try and see what happens.
4. I don't have Ranger Transparent Texture Paste,  but it's on my wish list and as soon as I get it, I'm definitely going to take it for a test drive and see how it compares to these other combinations. If you have other mediums in your stash, I highly recommend playing around and seeing what works for you. You never know when you might find that perfect combination!


I hope you enjoyed learning 3 Ways to Use Scrapbook.com Pops of Color with Stencils. I don't know about you, but I absolutely love stretching my supplies and finding new and unexpected ways to use them.

Supplies

Below you can find the products I used to create this project along with compensated affiliate links to Scrapbook.com. These links are at absolutely no extra cost to you. If you want to learn more about what an affiliate link is, you can see my full affiliate and product disclosure statement here

Salvaged Patina Distress Ink | Collection of Specimens Card

Salvaged Patina, the latest Tim Holtz Distress Ink color, is now available and I must say it's definitely my favorite color so far. But then, I kind of say that everytime a new color is revealed! Do you feel the same way? I'm so excited that Tim and Ranger graciously sent the new color to me and of course, as soon as it arrived, I ran to my craft room to start playing. I began by inking some swatches and creating some backgrounds. During the process of playing, I ended up creating this Collection of Specimens card that uses the Salvaged Patina Distress Paint and Distress Glaze. These are two of the mediums that I use a little less often than the inks, and I really enjoyed playing with them!

Collection of Specimens Card by Juliana Michaels featuring Tim Holtz Salvaged Patina Distress Ink, Specimen Stamp Set and Mechanical Bigz Dies.

To get started, I took a piece of gold metallic Kraft Stock and embossed it using the Foundry 3D Embossing Folder. I then applied Salvaged Patina Distress Paint to it using my finger so I could get it into all the depressions. To get the distressed look, I wiped off some of the paint using a paper towel. With this technique, you want to allow the paint to just start to dry before you begin wiping off the paint so that some of it sticks to the paper. After wiping off the paint and getting the look I was going for, I allowed the paint to dry. 

Once the paint was completely dry, I used Mermaid Lagoon Archival Ink to stamp images from the Field Notes and Specimen. I used Archival Ink for the stamping because I was stamping over a painted surface and Distress Ink would never have dried on the nonporous surface.

Next, I worked on the gears. These are cut from chipboard using the Mechanical Bigz Die. I first applied Distress Grit Paste here and there to the gears and set them to the side to dry. Once the grip paste was dry, I painted them with Antiqued Bronze Distress Paint and allowed that to dry. Next came the magic! Using my finger to lightly apply Salvaged Patina Distress Paint to the raised areas created by the Grit Paste. If you apply too much of the Salvaged Patina, just let it completely dry and then add a little more Antiqued Bronze over it. The main thing to remember when working with paint is allowing it to completely dry between colors. If you don't, you are much more likely to end up with mud! The Machinery Heads were painted with Distress Collage Medium and once it was dry, I added Mushroom Alcohol Ink.

Now onto the fabulous beetle. He is from the Specimen Stamp Set and stamped onto Distress Heavystock using Black Soot Archival Ink twice. Using a Distress Embossing Pen I applied embossing ink to the body of the bug on one of the images, sprinkled Salvaged Patina Distress Glaze over the area and heat embossed it. I repeated this process 3 times to build up a thick layer of the glaze and mimic the look of exoskeleton. I then fussy cut the entire image and then just the body to create two layers that I adhered together using double sided foam adhesive.

To finish off the design, I added some leaves from the Skeleton Leaves Thinlits which were die cut from Distress Watercolor Paper and smooshed into a bit of Old Paper Distress Ink. I also added stamped images from the Field Notes Stamp Set which I stamped in Vintage Photo Archival Ink. These were also smooshed into Old Paper Distress Ink and after trimming them to size, I inked the edges with Vintage Photo Distress Ink.

The final step was to layer the main panel onto a piece of watercolor paper that was smooshed into Old Paper Distress Ink and then onto a piece of metallic Kraft Stock. The finished size of this card is 5x7 inches.

Thanks for stopping by today and checking out my Collection of Specimen Card created using the brand new Tim Holtz Distress Ink Color Salvaged Patina!

Supplies

Below you can find the products I used to create this project along with compensated affiliate links to Scrapbook.com. These links are at absolutely no extra cost to you. If you want to learn more about what an affiliate link is, you can see my full affiliate and product disclosure statement here

Bloom Where You Are Planted Card | Tim Holtz Brushstroke Flowers No. 3

Hello friends! I'm back today with the third and final project I created for the Tim Holtz Sizzix Chapter 2 Release. If you're looking for even more inspiration make sure you check out Tim's blog post where he has linked to all of the makers and the projects they've created. Many of them have created wonderful blog posts that share how they created their project.

This Bloom Where You Are Planted Card features the beautiful Brushstroke Flowers No. 3 Thinlits. There are now three gorgeous floral dies that have this same style and they are perfect for mixing and matching to create a custom bouquet.

Bloom Where You Are Planted Card by Juliana Michaels featuring Tim Holtz Sizzix Brushstroke No. 3 Thinlits

For this card, I die cut the flowers from Distress Kraft Stock in a mix of colors. Because these dies are all one piece, I die cut each flower from two shades of the same color and then layered them to create the finished design. To give each flower another bit of interest, I added an additional layer of the bottom layer and offset them.


Once the flowers where die cut, I used the Tim Holtz Shaping Kit to give the layers even more dimension and interest. For some great tips and tricks on working with the Shaping Kit, I highly recommend checking out Tim's Shaping Kit Demo.

After I completed the shaping, I inked the edges with a bit of Vintage Photo Distress Ink and adhered the layers using double sided foam adhesive for even more dimension.


Once I was finished with the flowers, I added some die cut leaves and used the Shaping Tools on them as well.


For the background I embossed a piece of Distress White Heavystock using the 3D Texture Fades Typewriter Embossing Folder. I then ink smooshed the paper into some Old Paper Distress Ink that I had smooshed onto my craft mat and spritzed with water. I used a heat tool to dry the ink.


To finish off the background I added some machine stitching around the outside edge. I then adhered the Brushstroke Flowers using double sided foam adhesive. The final step was to add a sentiment which I typed out using my vintage typewriter. I trimmed it size, inked the edges and attached it double sided foam adhesive.


I absolutely love the dimension and shape the Shaping Kit adds to die cuts such as these Brushstroke Flowers No. 3. Have you tried out this new tool? What did you think? I'd love to hear how you used it!

Supplies

Below you can find the products I used to create this project along with compensated affiliate links to Scrapbook.com. These links are at absolutely no extra cost to you. If you want to learn more about what an affiliate link is, you can see my full affiliate and product disclosure statement here

How Scrapbook.com Simple Scrapbooks Inspired Me To Start Scrapbooking Again

Those of you that are new here may or may not know that I actually first developed the paper crafting bug when I was introduced to scrapbooking way back in 1997. I continued scrapbooking for many years, but in 2016 I really started to lose my love of it so I just stopped and switched over to making cards and coloring. It was a great change and one I really loved. Then in 2019 I slowly began playing around more with mixed media and I then fell in love with all things Tim Holtz!

I realize, many of you here know the Tim Holtz side of me, so I hope you can appreciate my need to mix things up here and there and that I really just love to share what I enjoy creating. Don't worry, I'm definitely still in love with all things Tim Holtz, and most of what you see here will continue to be of that style, but I wanted to share how Scrapbook.com Simple Scrapbooks inspired me to start scrapbooking again.

How Scrapbook.com Simple Scrapbooks Inspired Me To Start Scrapbooking Again Juliana Michaels

Last year, as was the case for many of us, was a time of reflection, introspection, change and growth. I also began to get the itch for scrapbooking again but I knew I needed it be different than the last time. I was no longer interested in large 12x12 layouts with lots of patterned paper and embellishments. I wanted something simple and pocket pages seemed the way to go. I had never really done them before, so working with pockets was a bit of a learning curve for me in how to organize and lay out out my pages. However, with the help of the Scrapbook.com Simple Scrapbook Pocket Cards I have found a groove and fallen in love with the format. I decided to stick with a much smaller size and I'm currently working in the 6x8 albums. It's just enough room for me to include a few photos, but most importantly room for my journaling and the story behind the photos. This was never my strong suit, as I really just liked playing with the paper and embellishments, but this time around I needed the focus to be different.

On the pages I'm sharing today I used the Scrapbook.com Simple Scrapbooks Adventure Calls Cards and I combined it with various embellishments from Pinkfresh Studio Some Days collection.



Once I realized I was going to stick with the pocket scrapbook style, I purchased a Canon Selphy. I love the flexibility it gives me for printing on demand, but I don't care for the fact that the pictures aren't truly 4x6 or that you can't fit two 3x4 photos on one piece of photo paper. So I just focus on the convenience and deal with the size by matting the photos to get the size I want. Sometimes I add a piece of white cardstock, but other times I can just adhere them to the backside of the pocket card they are sharing a pocket with.


Along with the printing and pocket cards, I've slowly expanded my supplies to include some traditional scrapbook supplies such as stickers, die cuts and patterned paper. I especially love the 6x6 or 6x8 paper pads since they can be cut down to fit the pockets and allow me to create my own custom cards. With all the additional supplies I was slowly realizing I didn't have a great way to store all my new goodies.

Thankfully Scrapbook.com has created the Craft Room Basics Stadium Organizer and the Pocket Cards Organizer. These organizers make it really convenient to keep all my supplies together and I can easily bring these over to my craft table when I'm ready to work on my scrapbook pages.


They also have tabbed dividers that are sized to help further organize 4x6 and 3x4 pocket cards and they come in sets of white, warms and cools. These packs of dividers come with labels, however I'm still so new with this, that I'm not quite ready to divide them by theme or anything so for now I haven't labeled anything and I'm just using them to divide the different sets I currently have in my stash.


I hope you enjoyed this peak into how Scrapbooks.com Simple Scrapbooks inspired me to start scrapbooking again along with the current process and set up I'm using.

Supplies

Below you can find the products I used to create this project along with compensated affiliate links to Scrapbook.com. These links are at absolutely no extra cost to you. If you want to learn more about what an affiliate link is, you can see my full affiliate and product disclosure statement here.

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