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How to Use Distress Embossing Glaze | 3 Mixed Media Techniques

I recently had the pleasure of creating a tutorial for the Ranger Ink YouTube channel featuring Tim Holtz Distress Embossing Glaze, and I am so excited to share these tags with you today! The glaze is translucent, which means you can use it like a traditional embossing powder but still see color and detail through it — and the vintage mixed media results are absolutely stunning.

How to use Tim Holtz Distress Embossing Glaze | 3 Mixed Media Techniques  by Juliana Michaels

What is Distress Embossing Glaze?

If you've ever picked up the Distress Embossing Glaze and wondered what to do with it or how it's different from a regular embossing powder, you're not alone! The key is that it's translucent — so instead of covering your image or texture with an opaque color, the glaze allows the color and detail underneath to show through while still adding that beautiful raised, dimensional finish. Once you see it in action, it all clicks!

The Background Techniques

In the Ranger Ink video, I walk through three different ways to use the Distress Embossing Glaze — with an embossing folder, with stamped images, and combined with Distress Translucent Crackle Paste through a stencil. Each technique produces a completely different look, and I use Distress Spray Stains and Distress Paint to add color and bring out all that beautiful texture and detail. Head over to the Ranger Ink YouTube channel to watch the full background tutorial!

 WATCH HERE 


The Embellishments

Once the backgrounds were complete, I had so much fun layering in the embellishments to give each tag that eclectic, vintage collector feel. Each tag features a vintage portrait photo as the focal point, framed with postage stamps and layered with Tim Holtz die cuts — butterflies, florals, leaves, and architectural elements — along with sentiment labels that really bring the whole story together. The combination of the glazed, textured backgrounds with all those layered details gives each tag a rich, curiosity cabinet quality that I just love.

Keep Looking Tag by Juliana Michaels featuring Tim Holtz Distress Embossing Glaze, Entangled Embossing Folder and Scribbly Butterflies Die Set

For the embellishments on this tag, I die cut a couple of butterflies from Distress Watercolor Cardstock using the Scribbly Butterflies die set. I sprayed them with Distress Spray Stain in Fossilized Amber and inked the edges with Distress Ink in Walnut Stain. I then layered in an antique portrait from the Tim Holtz Photomatic set, tucking a few stamps from the Tim Holtz Postmarked Sticker Book behind it. A sentiment from the Tim Holtz Quote Chips labels finished everything off perfectly.

Everything Is Possible Tag by Juliana Michaels featuring Tim Holtz Distress Embossing Glaze, Deconstructed Stamp Set, and Vault Funky Wreath Die Set

For this tag I followed a similar process, die cutting the Tim Holtz Vault Funky Floral Wreath die set and spraying it with Scorched Timber Distress Spray Stain. The flowers and leaves were inked individually with Distress Ink in Rusty Hinge, Peeled Paint, Forest Moss, Salvaged Patina, Fossilized Amber, and Walnut Stain. I then finished it off with an antique portrait, a few stamps from the Tim Holtz Postmarked Sticker Book, and a sentiment from the Tim Holtz Quote Chips labels, just as I did on the first tag.

The World Needs Tag by Juliana Michaels featuring Tim Holtz Distress Embossing Glaze, Industrial Stencil and World Travel Die Set

For the final tag, I die cut the globe images using the Tim Holtz Vault World Travel die set and heat embossed them with gold embossing powder. After adhering them to the tag I trimmed off the excess. I then finished everything off with an antique portrait from the Tim Holtz Photomatic set, a few stamps from the Tim Holtz Postmarked Sticker Book, and a sentiment from the Tim Holtz Quote Chips labels.

I hope these tags inspire you to pull out your Distress Embossing Glaze and give it a try! If you have any questions about the techniques or the embellishments, feel free to leave them in the comments below. I'd love to see what you create!

Supplies

Below you'll find the supplies I used to create this card. When you shop through these links—whether you purchase that exact item or something else entirely—you're supporting me at no extra cost to you. The commission I receive helps me cover the costs of my blog and other expenses, and allows me to continue providing you with FREE inspiration and tutorials. If you want to learn more, you can see my full affiliate and product disclosure statement here: https://www.17turtles.com/p/affiliate-and-product-disclosure.html. Thank you so much for your love and support!

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No Embossing Folder? No Problem | Faux Embossing Background Technique

What if you could create a rich, textured background without an embossing folder? Today I'm sharing one of my favorite techniques using some of the newly released dies from the Tim Holtz Sizzix March release — and the best part is it works with any dies you already own.

The technique uses dies you already own and creates that beautiful raised, textured look without any special equipment. Add Distress Sprays and a little Foundry Wax and the results are stunning — this card has that vintage wanderlust vibe I absolutely love. You'll want to watch the video to see exactly how it all comes together!

The Journey Awakens The Soul by Juliana Michaels featuring Faux Embossing Background Technique with Tim Holtz Sizzix Dies including World Traveler, Alphanumeric Bulletin, Handwritten Journey and Tailored

The Faux Embossing Technique

The key to this technique is that you don't need specific dies — you can use whatever you have in your stash. Any die cut adhered to paper before adding color will create that raised, textured effect. For this card I used dies from the Tim Holtz Sizzix March release, which were previously released and retired and are now available again. So if you missed them the first time, this is a great opportunity to grab them!

For color I used Distress Spray Stains in Uncharted Mariner and Broken China, along with Distress Oxide Sprays in Uncharted Mariner and Weathered Wood. The good news is you don't need both types of sprays — use what you have, mix and match, or stick with one. That's the beauty of this technique: it's flexible and works with your stash.

Watch the Full Tutorial

Ready to see the faux embossing technique in action? Watch the complete tutorial in the video below, or head over to my YouTube channel to check it out. 

I'd love to know — do you have dies sitting in your stash that you haven't used in a while? This technique might be just the reason to pull them out! Leave a comment below and let me know what you're thinking of trying it with.

Supplies

Below you will find links to the supplies I used to create these cards. When you shop through these links—whether you purchase that exact item or something else entirely—you're supporting me at no extra cost to you. The commission I receive helps me cover the costs of my blog and other expenses, and allows me to continue providing you with FREE inspiration and tutorials. If you want to learn more, you can see my full affiliate and product disclosure statement here. Thank you so much for your love and support!

Embossing Folder Background Techniques | Beginner to Advanced

If you've ever wondered how to get more out of your embossing folders, this tutorial is for you! Today I'm sharing three ways to use an embossing folder to create a mixed media card background, and we're going from beginner to advanced. Each technique builds on the last, so whether you're just getting started with mixed media or you're ready to layer in some more products and push your skills a little further, there's something here for you.

Lucky Is A State of Mind Card | Embossing Folder Background Techniques Beginner to Advanced by Juliana Michaels featuring Tim Holtz Sizzix Vault Diamonds Embossing Folder, Gentlemen, Picture Show, Alphanumeric Stretch, Handwritten Celebrate, and Lucky Love Impresslit

Three Levels, One Embossing Folder

The idea behind this tutorial is simple — take one embossing folder and show how you can use it three different ways, each one stepping up the complexity a little. No matter which technique you choose, the Sizzix Luster Wax is the secret weapon that ties them all together — it catches the raised areas of the embossed design and makes it pop beautifully every single time.

The beginner technique keeps things simple with colored cardstock, Luster Wax to highlight the embossed design, and inked edges using Distress Ink. It's approachable, low-risk, and gives you a gorgeous result with minimal supplies.

Beginner Embossing Folder Technique by Juliana Michaels featuring Tim Holtz Sizzix Vault Diamonds Embossing Folder, Gentlemen, Picture Show, Alphanumeric Stretch, Handwritten Celebrate, and Lucky Love Impresslit

The intermediate technique introduces Distress Watercolor cardstock and Distress Spray Stains before adding the Luster Wax and inked edges. The Spray Stains sink into the watercolor cardstock beautifully, adding depth and color before the Luster Wax works its magic on the embossed design.

Intermediate Embossing Folder Technique by Juliana Michaels featuring Tim Holtz Sizzix Vault Diamonds Embossing Folder, Gentlemen, Picture Show, Alphanumeric Stretch, Handwritten Celebrate, and Lucky Love Impresslit

The advanced technique builds on the intermediate version by layering Distress Oxide Sprays on top of the Spray Stains before finishing with the Luster Wax and inked edges. It's the same process with one extra step, but that additional layer of color adds a richness that takes the background to a whole new level.

Advanced Embossing Folder Technique by Juliana Michaels featuring Tim Holtz Sizzix Vault Diamonds Embossing Folder, Gentlemen, Picture Show, Alphanumeric Stretch, Handwritten Celebrate, and Lucky Love Impresslit

The Focal Point

While the focus of this tutorial is the background techniques, I also walk you through how I created the die cut focal point for each card using the new Sizzix Tim Holtz Vault Picture Wheel and Handwritten Thinlits Dies. One of my favorite things about the Handwritten dies is how beautifully they layer with the Alphanumeric Stretch Upper Case dies — and you'll see exactly how I used that combination on these cards.

Lucky Is A State Of Mind Card by Juliana Michaels featuring Tim Holtz Sizzix Vault Diamonds Embossing Folder, Gentlemen, Picture Show, Alphanumeric Stretch, Handwritten Celebrate, and Lucky Love Impresslit

Watch the Full Tutorial

Ready to see all three background techniques in action? You can watch the complete tutorial in the video below, or head over to my YouTube channel to check it out.

[VIDEO EMBED HERE]

I'd love to know — which background technique would you choose for your next card? The beginner, intermediate, or advanced version? Leave a comment below and let me know!

Supplies

Below you will find links to the supplies I used to create these cards. When you shop through these links—whether you purchase that exact item or something else entirely—you're supporting me at no extra cost to you. The commission I receive helps me cover the costs of my blog and other expenses, and allows me to continue providing you with FREE inspiration and tutorials. If you want to learn more, you can see my full affiliate and product disclosure statement here. Thank you so much for your love and support!

Mixed Media Cardmaking Part 2 | Creating Embellishment Layers

Welcome to Part 2 of my mixed media cardmaking series! In Part 1, I walked you through building a layered background with seven different techniques. Today, I'm taking you step-by-step through creating the embellishments and assembling everything to complete this card. You'll see how I stamp and watercolor flowers, create a vintage ephemera piece, and use foam tape strategically to add beautiful dimension. Plus, I'm sharing some of my favorite tips and tricks that make the assembly process so much easier!

This is Part 2 of a two-part series! If you missed Part 1 where I created the mixed media background, check it out first: Read Part 1 | Watch Part 1 on YouTube

A vintage style mixed media card with multiple layers on the background in soft peach and mint colors. Coordinating florals and a tag embellishment are the focal point.

From Stamped Images to Finished Embellishments

One of the questions I get asked most often is how to take stamped images and turn them into polished, dimensional embellishments that look cohesive with your background. The key is in the details - how you color them, how you create supporting elements like ephemera, and how you plan your placement before anything gets adhered down.

In this tutorial, I'm using watercoloring to add soft, natural color to my stamped flowers. Watercoloring with dye inks gives you so much control - you can build up layers for depth, blend colors seamlessly, and create that loose, artistic look that works beautifully with mixed media backgrounds. The best part? You don't need special watercolor paints. Regular dye inks and a water brush work perfectly.

I'm also showing you how to create a vintage ephemera piece using stamps and inks to coordinate with your main elements. These little supporting pieces add so much to a design - they give you something to tuck behind your focal images and help tie everything together visually.

And here's the game changer: my Press & Seal technique for keeping die-cut pieces exactly where you want them while you add adhesive. This trick has saved me so much frustration over the years, and once you try it, you'll use it on every dimensional project!

Creating the Embellishments: Step-by-Step

Here's how I built the layers for this card:

Step 1: Stamping the Images

I stamped the outline flowers and leaves using waterproof ink on watercolor cardstock. Using waterproof ink is essential here since we'll be adding water for the coloring - you want those outlines to stay crisp.

Stamping the Images

Step 2: Watercoloring the Flowers and Leaves

Using a water brush and dye inks, I added color to each flower and leaf. I built up layers of color for depth and let each layer dry before adding more. The key is working with a light touch - you can always add more color, but it's harder to remove it.

Watercoloring the Flowers and Leaves

Step 3: Die-Cutting the Elements

After all the stamping was completed, I used the coordinating dies to cut out each flower and leaf. Having dies that match your stamps makes this process so much easier and gives you clean, professional edges.

Die-Cutting the Elements

Step 4: Creating the Vintage Ephemera Piece

I stamped a ticket image and aged it using ink smooshing and edge inking, then added water splatters for that authentic vintage look. This piece will tuck behind the flowers to add visual interest and help ground the cluster.

Creating the Vintage Ephemera Piece

Step 5: Adding Dimension with Foam Tape

I added foam tape to the backs of my pieces, creating different levels of dimension. Not everything needs to be popped up the same height - varying the dimension makes the design more interesting and realistic. Now, I already had a pretty good idea of where I wanted everything to go, so I jumped ahead to adding the foam tape. But if you're not sure about your layout yet, you might want to plan your placement first before adding adhesive.

Adding Dimension with Foam Tape

Step 6: Planning the Final Layout

Even with foam tape already on, I still played with the placement to make sure I was happy with the arrangement. This is where my Press & Seal trick comes in handy - laying a sheet over the top lets me pick up all the pieces at once without them sticking together, flip it over if needed, and keep everything exactly where I want it during final assembly.

Planning the Final Layout

Step 7: Adding the Sentiment and Adhering to the Background

Finally, I adhered the completed background to my card base and added a sentiment sticker. I shared my tips for getting everything straight and centered without measuring.

Hope Is Not Lost Card - Mixed Media Cardmaking Part 1 | Building Background Layers by Juliana Michaels featuring 49 & Market and Sizzix stamps and stencils

Watch the Full Tutorial

Ready to see all the details, watch the watercoloring process in action, and learn that Press & Seal trick? The video walks you through everything step-by-step with all my tips for getting professional results. You can watch Part 2 below.

If you missed Part 1 where I created the mixed media background for this card, be sure to watch that first to see how I built up all those layers! You can watch Part 1 below.

What's Your Favorite Assembly Trick?

I'd love to hear from you! Do you have a go-to technique for assembling dimensional cards? Have you tried Press & Seal or do you have another method that works great for you? Drop a comment on the video or send me a message on Instagram—I always love hearing what works for other crafters!

Supplies

Below you'll find the supplies I used to create this card. When you shop through these links—whether you purchase that exact item or something else entirely—you're supporting me at no extra cost to you. The commission I receive helps me cover the costs of my blog and other expenses, and allows me to continue providing you with FREE inspiration and tutorials. If you want to learn more, you can see my full affiliate and product disclosure statement here: https://www.17turtles.com/p/affiliate-and-product-disclosure.html. Thank you so much for your love and support!

Mixed Media Cardmaking Part 1 | Building Background Layers

Today I'm kicking off a two-part mixed media cardmaking series, and I'm so excited to share my approach for creating layered backgrounds! If you've ever wondered how to layer mixed media techniques without ending up with a muddy mess, this tutorial is for you. I'm walking you through building a textured background using stencils, stamps, inks, and paste—and more importantly, I'm sharing why the order matters and how understanding your mediums can make all the difference.

A vintage style mixed media card with multiple layers on the background in soft peach and mint colors. Coordinating florals and a tag embellishment are the focal point.
   

Understanding Mixed Media: It's All About Planning

When it comes to mixed media cardmaking, a little planning goes a long way. The biggest challenge people face isn't the techniques themselves—it's knowing what order to use them in so you don't create a muddy disaster or lose the crisp details you worked so hard on.

Here's what I've learned: different mediums behave differently, and understanding those behaviors helps you make better decisions. Water-reactive inks (like dye inks) will reactivate when they get wet again, which means they can blend and move. Pigment inks are more permanent once they dry. And archival inks are waterproof, so they won't budge no matter what you layer on top of them.

This is why I always reach for waterproof or pigment inks when I'm stamping on mixed media backgrounds—I want those images to stay crisp even when I add more layers. But if you want a softer, blended look, regular dye inks can work beautifully too. There's no single "right" way—it's about understanding your supplies and choosing what works for the effect you want.

The same thinking applies to when you add texture paste, sprays, and inking. Some techniques need to go first (like paste through stencils—it's hard to stamp over bumpy texture!), while others work better as final layers (like shimmer sprays). Once you understand the "why" behind the order, you can experiment with confidence and even break the rules intentionally.

Building the Background: Seven Layers

For this card, I built the background using seven different techniques. You don't have to use all seven—you could pick just one or two and still create something beautiful. But I wanted to show you how layering multiple techniques creates depth and interest. Here's what I did:

Step 1: Monoprinting with Stencil

I started by applying dye ink directly to my stencil, spritzing it with water, and then pressing it onto watercolor cardstock to transfer the design. This creates a soft, watercolor-like background layer.

Step 2: Ink Smooshing

Next, I added subtle color by smooshing ink onto my craft mat, spritzing it with water, and tapping sections of my background into it. I dried this layer before moving on so the colors would build rather than blend.

Step 3: Partial Stamping for Texture

Using waterproof ink and background stamps (script and grid), I added random bits of stamped texture—not full crisp images, just hints here and there to create visual interest.

Step 4: Paste Through Stencil

I used a palette knife to spread metallic paste through my stencil, adding both texture and shimmer. This is one of those techniques you want to do after stamping, since it's tricky to stamp over bumpy paste.

Step 5: Shimmer Spray

A light misting of shimmer spray adds a subtle sparkle that catches the light beautifully in person (even if it doesn't always show up on camera!).

Step 6: Splatters with Shimmer Spray

I added a few deliberate splatters using spray ink to create organic texture and visual interest across the background.

Step 7: Ink Edges and Water Spray

Finally, I inked around the edges with a blending brush, then added water splatters with a spray bottle. As the water dried, it pulled the ink and created that beautiful vintage, weathered effect.

Again, you can mix and match any of these techniques or use just one or two. The key is going in an order that makes sense for the mediums you're working with. If you want to try all seven, just follow this sequence and you'll avoid those muddy-mess moments!

Watch the Full Tutorial

Ready to see all the details, tips, and why I made each decision along the way? The video walks you through my entire thought process, shows you each technique in action, and gives you all the little tips I've learned over the years. Plus, you'll see how each layer builds on the last to create that final textured background.

Mixed Media Cardmaking | Part 2

This is Part 1 of a two-part series. In Part 2, I'll take you step-by-step through creating the embellishments, plus I'll share my best tips for assembling the layers and adding dimension to complete the card. So be sure to watch for that next video!

What's Your Approach to Mixed Media?

I'd love to hear from you! Do you plan out your mixed media layers, or do you prefer to wing it and see what happens? Which of these seven techniques are you most excited to try? Drop a comment on the video or send me a message on Instagram—I always love hearing about your creative process!

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Happy crafting!
~ Juliana

Supplies

Below you'll find the supplies I used to create this card. When you shop through these links—whether you purchase that exact item or something else entirely—you're supporting me at no extra cost to you. The commission I receive helps me cover the costs of my blog and other expenses, and allows me to continue providing you with FREE inspiration and tutorials. If you want to learn more, you can see my full affiliate and product disclosure statement here. Thank you so much for your love and support!

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