Sometimes using a die cut as a die cut is all you need, plus layers and layers of paper. Patterned paper, die cut paper, paper ephemera... each one adds another layer and creates texture and interest. You don't always have to pull out all the things. Sometimes just some paper is enough!

And that's exactly what I did for this card featuring some of the new Seth Apter dies from Sizzix. Even though they aren't Halloween themed (or any theme, really), I thought they were the perfect companion to my newest printable collection The Ashgrave Archive.

I die cut the paper, fussy cut the ephemera, trimmed the layers, inked the edges, and adhered everything together with a bit of adhesive, and it was complete. While I was creating, I also gave myself the challenge of not centering the focal point on the card. Centering is always my go-to, but I have to say I really love how this offset design turned out, and I'm going to have to remind myself to do it again the next time my "everything symmetrical" brain tries to take over!

The Seth Apter Dies I Used

The dies I used on this project are Seth Apter's Recount and Sockets 1. I die cut the numbers frame from Recount out of two different colors of patterned paper, offset them, and then adhered them together. I die cut one of the sockets from silver metallic cardstock and used it as a border across the bottom of the cluster.

If you haven't checked out Seth Apter's latest Sizzix release, I invite you to do so. His designs are what I like to call evergreen. They can be used for all the things at any time of the year, mixed in with whatever theme you have in mind, and they're perfect for adding the layer of texture and interest that takes a card or project to the next level.

The Ashgrave Archive Printable Paper Collection

And yes, Halloween is upon us, but if you're someone who loves it all year round, you might enjoy checking out my latest printable paper collection—The Ashgrave Archive. It leans Halloween, but it works for anyone who loves a vintage or gothic style. So if you haven't already, be sure to check it out!

I hope this inspires you to grab some paper, let your die cuts do the heavy lifting, and maybe even try an offset design of your own. If you give it a try, I'd love to see what you create! Feel free to share it with me on Instagram or in the comments.

Happy crafting!
~ Juliana

Supplies

Below you will find links to the supplies I used to create these cards. When you shop through these links—whether you purchase that exact item or something else entirely—you're supporting me at no extra cost to you. The commission I receive helps me cover the costs of my blog and other expenses, and allows me to continue providing you with FREE inspiration and tutorials. If you want to learn more, you can see my full affiliate and product disclosure statement here. Thank you so much for your love and support!

Seth Apter is back with another Sizzix release, and this time he has 5 new die sets (one also includes a set of sentiment stamps) that are just perfect for mixed media style cards. I always enjoy working with his designs because they can be used for so many themes and are perfect for adding texture and interest to your cards and other crafting projects. For this card I used three of the new sets: one for the background and two to embellish the card. You can find all the details and supply list below. And if you would rather watch the process, there is a link to the video tutorial as well.

Creating the Background

To create the background I started with a panel of Distress Watercolor Cardstock and spritzed it with Scorched Distress Spray. I did not add any extra water during this step. I only sprayed the paper with the ink. I then dried it using a heat tool. I recommend that you make sure the ink and paper are completely dry before moving on to the second step.

Next, I used a dry paint brush to apply Distress Foundry Wax in Sterling here and there across the panel. You are not going for solid coverage. I then spritzed it with water, let it dry, and used a heat embossing tool to heat set the Foundry Wax. The Foundry Wax must be heat set to make it permanent. If you skip that step, it will continue to rub off. So if you wipe over it with your fingers and you are still getting it on them, you need to heat it more. The Foundry Wax should become shiny as it dries and becomes permanent.

Once that was done, I applied Old Paper and Hickory Smoke Distress Oxide directly to the paper. Don't be shy here. Apply a generous amount of the ink. I then gave this layer a spritz of water and dried it with my heat tool. I repeated the process to add a little more Old Paper Distress Oxide, so feel free to do the same if you think it needs more ink.

I call this the Metallic Oxide Technique. It was inspired by a technique Vicki Evans shared called Mixed Metals and Mini Oxides. I put my own twist on it by using Distress Foundry Wax in place of Alcohol Ink Alloys.

The next step is to add the embossing using a metal die normally used for die cutting. I used the new Seth Apter Sizzix Stackers die set. Place the die on top of the background paper and run the panel through a die cutting machine to emboss it. I prefer to spritz the backside of the background with water to help soften the paper and lessen the chances of the paper cracking. You do not want to spray the front side where we just did all of the inking. When it comes to embossing with a metal die, please refer to your particular die cutting machine for the proper sandwich. The key for this technique is to use a silicone pad to prevent the die from cutting through the paper. This allows it to emboss the design into the paper instead of cutting it.

With the embossing completed, I then added some stamping using a script stamp from the Tim Holtz Gothic Tapestry stamp set. I used Black Soot Archival Ink, which is a permanent ink. I recommend using some sort of permanent ink for this step since you are stamping on top of Distress Oxide Ink. To finish it off, I inked the edges with Ground Espresso Distress Ink, spritzed it with water and dried it with a heat tool. The background is now completed and ready for you to embellish.

Embellishing the Card

To embellish the card, I pulled from my Ashgrave Archive collection. I used one of the papers as a base layer behind the background panel. I also die cut the moon and the word "wicked" from Ashgrave Archive papers. The moon is from the Tim Holtz Vault Moonlight Scare die set, and "wicked" is from the Tim Holtz Vault Gothic Portraits die set. I inked the edges with Ground Espresso Distress Ink. I also added a few of the ephemera pieces from the collection to finish off the layers.

The 31 and the tree are both from Seth Apter's new release. The 31 is from the Recount die set, and the tree is from the Free Bird die set. I cut both from Tim Holtz Distress Black Woodgrain paper. That paper is retired, but you can get a similar look by using plain black cardstock and embossing it with a wood grain embossing folder.

Watch the Video Tutorial

Want to see the Metallic Oxide Technique and embossing with dies in action? I walk you through every step in the video tutorial, so you can see exactly how the layers build up and how the die embosses the background without cutting through the paper. You can watch it below or over on my YouTube channel.

I love how Seth's new dies and my Ashgrave Archive papers came together on this one. I hope it inspires you to grab one of your dies and try embossing with it instead of cutting!

Until next time, stay crafty my friend!

Supplies

Below you will find links to the supplies I used to create these cards. When you shop through these links—whether you purchase that exact item or something else entirely—you're supporting me at no extra cost to you. The commission I receive helps me cover the costs of my blog and other expenses, and allows me to continue providing you with FREE inspiration and tutorials. If you want to learn more, you can see my full affiliate and product disclosure statement here. Thank you so much for your love and support!

Fabric has never been my go-to when I'm crafting. I'm a paper girl through and through, so when Seth Apter asked if I'd like to play with his newest fabric collection, One Layer Away, my first thought was: can you even use fabric like patterned paper on a card? Turns out, you absolutely can.

Instead of sewing with it, I decided to treat the gorgeous patterns exactly like patterned paper and work them into the layers of three handmade cards. I was pleasantly surprised at how well the fabrics coordinated with my Metamorphosis collection, which made this whole process sew much fun.

Three Ways to Use Fabric on Your Cards

On the first card, I cut it into a strip to add a pop of texture without overwhelming the design. I die cut a piece of purple patterned paper from my Metamorphosis collection using the Tracks Die Set by Seth Apter and a piece of black kraftstock using the Stretchers Die Set by Seth Apter. I combined them with fussy cut Metamorphosis ephemera pieces and some of the A2 sized Metamorphosis patterned papers.

On the second, I used the fabric as a full background layer, letting the pattern set the tone for the whole piece. I then layered on some fussy cut Metamorphosis ephemera and papers along with some more die cut pieces - Stretchers Die Set by Seth Apter and Scrapbook.com Nested Labels Die Set.

On the third, I pleated the fabric before adhering it, which gave the card a whole extra layer of dimension and visual interest. To do this, I simply folded the material over onto itself several times. I then repeated the same process of layering in some of the Metamorphosis papers and ephemera. The die set I used here is the Twisters Die Set by Seth Apter.

Attaching Fabric To Paper

One question you may be asking is how I attached the fabric. I actually used Bearly Art Glue to adhere the fabric to the paper and it worked wonderfully. And you really don't need much adhesive to adhere it, so you can use a light hand when applying it.

Finishing Details

On each card, I tore the edges of the fabric to give it that distressed, well-loved feel that fits right in with my mixed media style. I also saved the leftover threads from the torn edges and layered them into the design alongside my butterflies and a set of vintage pen nibs, tying the whole "in the middle of becoming" theme together.

Along with the fabric, papers, and ephemera, I also used some of Seth's Sizzix die sets to add another layer of interest to each design. Unfortunately the dies I used on the first two cards are no longer available but here is a list of the ones I used:

• Twisters
• Tracks
• Borderlines

Bringing In the Butterflies

The butterflies, ephemera and patterned papers on these cards are part of my Metamorphosis collection, my vintage naturalist-themed digital paper collection built around the idea of embracing the journey of becoming. Pairing them with Seth's fabric patterns turned out to be an easy, natural fit, and it's a great example of how mixing in supplies you wouldn't normally reach for can push a project in a new direction.

Give It a Try

If fabric isn't usually part of your crafting stash either, I'd encourage you to give this a shot. Treating it like patterned paper is such a simple way to bring in new texture without needing to touch a sewing machine.

Supplies

Below you will find links to the supplies I used to create these cards. When you shop through these links—whether you purchase that exact item or something else entirely—you're supporting me at no extra cost to you. The commission I receive helps me cover the costs of my blog and other expenses, and allows me to continue providing you with FREE inspiration and tutorials. If you want to learn more, you can see my full affiliate and product disclosure statement here. Thank you so much for your love and support!

The Sizzix 25th Birthday celebration continues, and today I'm sharing some inspiration using the Word Wafers Birthday die set designed by Seth Apter. In true Seth Apter fashion, these dies have a wonderful grunginess built right in, making them absolutely perfect for creating a grundy industrial birthday card.

Creating the Background

For this card, I did something I don't normally do — I dug into my scrap bin and found a background I hadn't used yet. Because of that, I'm not 100% sure of the exact colors, but I believe it started with a piece of black cardstock. I used a brayer to lightly apply acrylic paint in what look to be Distress Paint colors of Rusty Hinge, Salvaged Patina, and possibly Walnut Stain.

I took that piece of cardstock and embossed it with the Seth Apter Dot Matrix embossing folder, then rubbed Sizzix Luster Wax in Gold over the surface to bring out the textured design and enhance the distressed effect.

Creating the Sentiment

For the sentiment, I used the Celebrate die from the Word Wafers Birthday set. I cut the base layer from Distress Watercolor Cardstock and ink smooshed it into Old Paper Distress Ink, then inked the edges with Ground Espresso Distress Ink. I die cut the detail layer from Tim Holtz Black Kraftstock and lightly sanded it to reveal the kraft-colored core underneath, adding even more to that distressed feel. The numbers are from the Seth Apter Borderlines die set — I cut those from Kraftstock, sanded them the same way, then trimmed them into several pieces and tucked them behind the focal image.

Finishing the Card

To finish the card, I layered everything onto a piece of Sizzix Sandable Cardstock in brown and burnt orange, then sanded the edges to reveal the lighter core color underneath.

And there you have it — a grungy industrial birthday card perfect for anyone who loves this style or color combination! I hope this gave you a bit of inspiration using the Seth Apter Word Wafers Birthday dies as we continue celebrating 25 years of Sizzix. I'd love to see what you create if you give this style a try — feel free to share in the comments or tag me on Instagram!

Happy crafting! ~ Juliana

Supplies

Below you will find links to the supplies I used to create these cards. When you shop through these links—whether you purchase that exact item or something else entirely—you're supporting me at no extra cost to you. The commission I receive helps me cover the costs of my blog and other expenses, and allows me to continue providing you with FREE inspiration and tutorials. If you want to learn more, you can see my full affiliate and product disclosure statement here. Thank you so much for your love and support!

If you've been crafting for a while, you probably have a collection of dies that you use the same way every single time. Today I want to challenge that! I'm sharing a mixed media card made with the latest Seth Apter Sizzix release, and my favorite part of this project is how I pushed the dies beyond their intended use. Sometimes the most interesting results come from asking "what else can this do?"

Think Outside the Die

The Seth Apter Mini Pages die set is designed to create a folded mini book or page, but here I used it purely as a design element — no folding required. I layered it with the dotted die from the Seth Apter Paper Cutz 2 die set, positioning it to cut the design the full length of the Mini Pages die cut. The result is a beautifully detailed panel that looks intentional and intricate, and nobody would ever guess it started as a booklet die!

The other technique I want to highlight is using the Seth Apter Magic Mesh embossing folder on a die cut rather than on flat cardstock. I embossed the butterfly after die cutting it from the Tim Holtz Tattered Butterflies die set, and the mesh texture on those irregular butterfly edges is just chef's kiss. It adds so much depth and visual interest to the focal element.

How to Make This Card

Start with a piece of white cardstock cut to 4.5 x 6.25 inches and ink the edges with Walnut Stain Distress Ink.

Cut a piece of blue kraft stock or cardstock to 2.75 x 6 inches. Stamp across the surface using the dotted stamp from the Seth Apter Viewfinder Stamp and Die Set with Twilight Versafine Clair Ink, or a slightly darker ink than your cardstock color. If you're using kraft stock, lightly sand the edges with fine grit sandpaper or a Ranger Sanding Disk. If you're using regular cardstock, ink the edges with Walnut Stain Distress Ink. Adhere this to the card front, but leave the right-hand side unattached so you can tuck the circle die cuts underneath later.

Cut circles from black kraft stock using the Seth Apter Twisters Die Set and lightly sand the edges with fine grit sandpaper or a Ranger Sanding Disk. Tuck these under the right side of the blue panel and adhere in place.

Now for the Mini Pages panel. Die cut a piece of Distress Watercolor Cardstock using the Seth Apter Mini Pages die set. Then take the dotted die from the Seth Apter Paper Cutz 2 die set and position it to cut the design across the full length of the Mini Pages die cut — you're using it as a design element here, not as a folded booklet. Use a baby wipe to apply Distress Paint in Salvaged Patina across the surface. Ink the edges and here and there over the surface with Walnut Stain Distress Ink. Adhere this layer to the card.

Next, take one of the outer dies from the Paper Cutz 2 set and cut another piece of Distress Watercolor Cardstock. Spray with Old Paper Distress Spray Stain and a little water, then dry with a heat tool. Stamp the splatter image from the Seth Apter Viewfinder Stamp and Die Set using Walnut Stain Distress Ink. Ink the edges with Walnut Stain Distress Ink and adhere to the card with double-sided foam tape for dimension.

For the butterfly, die cut a piece of Distress Watercolor Cardstock using the larger butterfly from the Tim Holtz Tattered Butterflies die set. Emboss it using the Seth Apter Magic Mesh embossing folder — this is where the magic happens, because that mesh texture on the shaped butterfly edges is incredible. Apply Distress Paint in Salvaged Patina and Uncharted Mariner using a baby wipe. Once dry, add Distress Paint in Peeled Paint here and there. When the paint is fully dry, apply Sizzix Luster Wax in Rose Gold to the raised embossed design using your finger. For the butterfly body, cut a piece of black kraft stock using a cross image from the Seth Apter Roundabouts Die Set and lightly sand the edges. Adhere both the body and the butterfly to the card with double-sided foam tape for dimension.

I tucked a few vintage postage stamps here and there for an extra pop of color and visual interest. Mine happen to be Queen Juliana stamps sent to me by my friend Saskia from the Netherlands — they're quite special to me, and yes, you can probably guess why! If you don't have vintage stamps, the Tim Holtz Postmarked Sticker Book is a great alternative and would give you a similar look.

The final touch is the sentiment, a sticker from the Minty Art Journal Essentials Paper Stickers in Black. "Be the artist of your own life" felt like the perfect note to end on for a card built around creative experimentation.

I hope this card inspires you to look at your die collection with fresh eyes! I'd love to know — have you ever used a die in an unexpected way? Tell me about it in the comments!

Happy crafting!
~ Juliana

Supplies

Below you will find links to the supplies I used to create this card. When you shop through these links—whether you purchase that exact item or something else entirely—you're supporting me at no extra cost to you. The commission I receive helps me cover the costs of my blog and other expenses, and allows me to continue providing you with FREE inspiration and tutorials. If you want to learn more, you can see my full affiliate and product disclosure statement here: https://www.17turtles.com/p/affiliate-and-product-disclosure.html. Thank you so much for your love and support!

If you've ever looked at a die and thought "I could get more out of this" — this post is for you! I am so excited to share three mixed media cards using the Gridiron Die from the new Seth Apter Sizzix release, and you guys, we are squeezing every last bit of mileage out of this one die. We're using it as a die cut, an embossing folder, AND a stencil — and the three cards couldn't look more different. 

Watch the Full Tutorial

Technique No. 1 — Die as a Die Cut

The number die cut is from the Seth Apter Borderlines Die Set, cut from Black Kraft Stock and lightly sanded with fine grit sandpaper, then trimmed and adhered above and below the flower.

For the flower, I die cut the layers from Distress Watercolor Cardstock using the Tim Holtz Brushstroke Flowers 2 Die Set and painted each layer using a water brush with Distress Paints in Seedless Preserves, Dusty Concord, Peeled Paint, Forest Moss, Fossilized Amber, and Vintage Photo. One thing I've been loving about painting my die cuts lately — once the paint is dry it's permanent, so I never have to worry about liquid adhesive reacting with the ink and causing issues when I'm assembling the layers.

The ephemera pieces are stamps from the Tim Holtz Tidbits and Curator Stamp Sets, stamped with Black Soot Archival Ink onto Distress Watercolor cardstock lightly sprayed with Old Paper Distress Spray Stain, trimmed to size, and edged with Walnut Stain Distress Ink.

To finish off the card I used a sentiment from the Mintay Art Journal Essentials Paper Stickers Black.

Technique No. 2 — Die as an Embossing Folder

For the full background details, be sure to watch the video! The finished card is 4.25 x 5.5 inches, layered onto white cardstock with Walnut Stain inked edges.

The wonky circle die cut is from the Seth Apter Twisters Die Set, cut from Black Kraft Stock, lightly sanded, trimmed, and adhered above and below the flower.

The off-white layers were made using the Seth Apter Viewfinder Stamp and Die Set, the same way as described for the Art Heals card above.

The ephemera pieces are stamps from the Tim Holtz Tidbits and Curator Stamp Sets, stamped with Black Soot Archival Ink onto Distress Watercolor cardstock lightly sprayed with Old Paper Distress Spray Stain, trimmed, and edged with Walnut Stain Distress Ink.

For the flower, I die cut the layers from Distress Watercolor Cardstock using the Tim Holtz Brushstroke Flowers 2 Die Set and painted each layer with a water brush using Distress Paints in Mustard Seed, Fossilized Amber, Peeled Paint, Forest Moss, Vintage Photo, and Ground Espresso. I used double-sided foam adhesive to add dimension to some of the die cuts.

The ephemera pieces are stamps from the Tim Holtz Tidbits and Curator Stamp Sets, stamped with Black Soot Archival Ink onto Distress Watercolor cardstock lightly sprayed with Old Paper Distress Spray Stain, trimmed, and edged with Walnut Stain Distress Ink.

To finish off the card I used a sentiment from the Mintay Art Journal Essentials Paper Stickers Black.

Technique No. 3 — Die as a Stencil

For the full background details, be sure to watch the video! The finished card is 4.25 x 5.5 inches, layered onto white cardstock with the edges inked with Walnut Stain Distress Ink.

The off-white layers were made using the Seth Apter Viewfinder Stamp and Die Set, the same way as described for the Art Heals card above.

The black number die cut is from the Seth Apter Stretchers Die Set, cut from Black Kraft Stock, lightly sanded, trimmed, and adhered on top of the previous layer.

For the butterflies, I die cut the layers from Distress Watercolor Cardstock using the Tim Holtz Brushstroke Butterflies Die Set and painted each layer with a water brush using Distress Paints in Seedless Preserves and Dusty Concord. The bodies of the butterflies are cut from Black Kraft Stock and lightly sanded using fine grit sand paper. I used double-sided foam adhesive to add dimension to some of the die cuts.

The ephemera pieces are stamps from the Tim Holtz Curator Stamp Sets, stamped with Black Soot Archival Ink onto Distress Watercolor cardstock lightly sprayed with Old Paper Distress Spray Stain, trimmed, and edged with Walnut Stain Distress Ink.

To finish off the card I used a sentiment from the Mintay Art Journal Essentials Paper Stickers Black.

I'd love to know which technique is your favorite — drop a comment below and let me know which one you're excited to try first!

Supplies

Below you will find links to the supplies I used to create these cards. When you shop through these links—whether you purchase that exact item or something else entirely—you're supporting me at no extra cost to you. The commission I receive helps me cover the costs of my blog and other expenses, and allows me to continue providing you with FREE inspiration and tutorials. If you want to learn more, you can see my full affiliate and product disclosure statement here: https://www.17turtles.com/p/affiliate-and-product-disclosure.html. Thank you so much for your love and support!