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Merry Christmas! Building Cards with Foundation & Focal Points

When I sat down to create this Christmas card, I decided to focus on something I don't always consciously think about: foundation and focal points. What grounds the design? What draws the eye first? These fundamentals work whether you're doing mixed media or clean paper layering.

Stripping away my usual texture paste and gesso forced me to be really intentional about every choice. And honestly? That clarity felt good. Working with the Scrapbook.com Yuletide Paper Pad made the process even smoother—when you start with a beautifully coordinated collection of patterns and colors, half the design decisions are already made for you. Those rich greens and reds with vintage patterns? They work together effortlessly, leaving me free to focus purely on composition and hierarchy instead of wondering if my colors clash.

Christmas greeting card featuring centered 'Merry Christmas' die cut in black with shadow layer, flanked by red poinsettias and green leaves above and below on cream vintage label shape with distressed edges against green patterned background

Foundation & Focal Points: Building a Strong Design

Before I dive into the how, let me share the design principle that makes this card work.

Every great card needs two things: a solid foundation and a clear focal point. Think of the foundation as your stage—it sets the tone, anchors the design, and creates visual boundaries. The focal point is your star performer—the element that draws the eye first and holds attention.

For this Christmas card, my foundation is that vintage label shape with distressed edges. It grounds everything and creates a frame. My focal point? That bold "Merry Christmas" sentiment—impossible to miss, layered for impact, and centered to create a strong, balanced composition.

When these two elements work together, your design feels intentional and professional, even when you're layering multiple patterns and colors.

Why This Card Works

Here's what makes this design successful:

  • Clear hierarchy — Your eye goes to "Merry Christmas" first (the focal point), then travels around the supporting elements
  • Strong foundation — The vintage label creates boundaries and anchors the busy elements
  • Contrast creates impact — Black sentiment against lighter backgrounds equals instant drama
  • Strategic distressing — Sanding and inking add vintage character without overwhelming the design
  • Symmetrical balance — The centered sentiment with florals clustered above and below creates stability and classic appeal

With that framework in mind, here's how I built this card:

Building the Card

Step 1: Create Your Focal Point

I began by die cutting "Merry Christmas" from black cardstock using the Scrapbook.com Christmas Joy die set. This is my focal point, so I made it impossible to miss—black for maximum contrast. I then die cut the shadow layer from a piece of patterned paper from the Yuletide Paper Pad to add depth and visual interest. I centered the sentiment on my foundation to create a strong, balanced composition—sometimes symmetry is exactly what a design needs.

Step 2: Build Your Foundation

The foundation anchors everything. I flipped through the Yuletide Paper Pad and selected a neutral monochromatic pattern to die cut the Nested Vintage Classic Labels. By keeping it neutral, it doesn't compete with the bold sentiment or vibrant poinsettias. It's like creating a frame that says "look here" without shouting.

Step 3: Add Definition

I inked the edges of that label with Distress Ink in Walnut Stain using a foam blending tool. This serves two purposes: it adds depth and shadow (making the foundation feel grounded), and it creates separation from the background, which helps your focal point pop.

Step 4: Choose Your Background

I selected a background paper from the Yuletide Paper Pad that had that vintage Christmas feel—rich color with subtle pattern that wouldn't compete with my focal elements.

Step 5: Create Supporting Elements

For the florals, I die cut the poinsettias and some of the greenery from papers in the Yuletide Paper Pad. I wanted a couple more solid colors for the greenery, so I went to my cardstock stash and selected a warm green and dark grey to coordinate with the other colors.

The poinsettias support the focal point—I clustered one arrangement above the sentiment and one below to create balanced, symmetrical framing. This creates visual stability while the florals naturally guide your eye to the words in the center.

Step 6: Add Vintage Character

I used a Ranger Sanding Disc—which is just a piece of fine grit sandpaper like you can get at the hardware store—to lightly sand the edges of the papers from the Yuletide Paper Pad. Those papers have a white core, so when you rub the sandpaper over it, it removes the printed color to reveal the white core. A nice touch of distress to add to the vintage vibe.

Step 7: Build Dimension

I used double-sided foam adhesive to pop up the main sentiment, the poinsettias, and the entire focal piece to add interest and dimension. This reinforces the hierarchy—what pops up physically is what should pop visually.

Foundation & Focal Points in Action

Here are the techniques that bring this principle to life:

Creating a Strong Foundation:

  • Use neutral or monochromatic patterns that support rather than compete
  • Add definition through inking or distressing edges
  • Choose shapes that create natural frames or boundaries
  • Keep it substantial enough to anchor your design

Making Your Focal Point Unmissable:

  • Use high contrast (like black on light backgrounds)
  • Add dimension with foam adhesive
  • Layer shadow pieces for depth
  • Center for classic, balanced appeal—symmetry creates strength
  • Make it bold enough to command attention

Supporting Elements:

  • Florals and greenery should guide the eye, not distract
  • Balance floral clusters above and below for symmetrical framing
  • Use odd-numbered groupings for natural appeal
  • Vary sizes to create flow
  • Position elements to reinforce your focal point

A Different Kind of Foundation

In my mixed media work, I build foundations with layers of gesso, texture paste, and stamping. Here, the Yuletide Paper Pad and thoughtful die cutting did that job. The sanding and inking? That's my nod to the distressing I'd normally do with heavy texture.

Different tools, same principle: create a strong base that supports your focal point. This process reminded me that good design isn't about the medium—it's about understanding hierarchy, contrast, and intentional placement.

Coming Up in This Series

This is the second of four cards I'm sharing using Scrapbook.com Exclusives—each exploring paper-only cardmaking from a different angle:

  • Previous: Halloween card — Character & Whimsy (Check it out here)
  • Next: Love card — Dimension & Movement
  • Finally: Thinking of You — Vintage Vibes

Each card taught me something different about design principles that work across any style, mixed media or not.

Let's Connect!

Ready to create your own? Grab these Scrapbook.com exclusives using the supply list below.

I'd love to hear from you: What's your favorite part of Christmas card design—bold sentiments or intricate florals? Drop a comment!

If you make this card, please tag me—I absolutely love seeing your versions!

Don't miss the rest of this series! Subscribe to my email newsletter so you never miss a new project, post, or video.

Supply List

Below you can find the supplies I used to create this card. When you shop through those links—whether you purchase that exact item or something else entirely—you're supporting me at no extra cost to you. The commission I receive helps me cover the costs of my blog and other expenses, and allows me to continue to provide you with FREE inspiration and tutorials. If you want to learn more about what an affiliate link is, you can see my full affiliate and product disclosure statement here. Thank you so much for your love and support!

Let's Go Ghouls! Creating a Whimsical Halloween Card

I love mixed media, but I'd be lying if I said it wasn't intense sometimes. The layers, the drying time, the beautiful mess of it all. So when I went to work on some projects for Scrapbook.com using their Exclusive Products, I decided to give myself permission to play a little differently. Just papers, die cuts, and the freedom to explore without overthinking it.

Halloween greeting card with whimsical witch illustration wearing coral dress and black hat, surrounded by yellow paper flowers, vintage tickets and stamps, with 'Let's Go Ghouls' sentiment on chevron patterned background

This Halloween card surprised me with how much I enjoyed the process. I'm not typically drawn to cutesy designs, but whimsical? That's different. This witch has character—and working with her as my focal point let me build something playful while keeping my aesthetic: vintage ephemera, intentional layering, and a color palette that feels sophisticated even in a fun theme.

These are unusual Halloween colors (peach, coral, sage) instead of traditional orange and black, but the color palette was made super easy using the Scrapbook.com Oak Lane Patterned Paper Pad.

Why This Card Works

Before I dive into the how, let me share what makes this design successful:

  • The illustrated witch is the star — everything else supports her rather than competing for attention
  • Unexpected color palette — peach, coral, and sage instead of traditional Halloween orange and black (thank you, Oak Lane Paper Pad!)
  • Busy vs. calm balance — the patterned background plays against that solid arched frame
  • Vintage ephemera grounds the whimsy — keeps it from tipping into overly cute territory

The "Character & Whimsy" Principle

Here's what I learned: when working with illustrated die cuts or character stamps, your job is to build a stage, not compete for attention. This means:

  • Choosing backgrounds that enhance without overwhelming
  • Creating frames or spaces that spotlight your character
  • Using repetition (notice those yellow flowers?) to tie elements together
  • Keeping sentiments simple and supportive

With that framework in mind, here's how I built this card:

Building the Card

Step 1: Build Your Star

The witch is the star of this show, so I began by die cutting her various pieces. Feel free to cut pieces from multiple patterns and colors and play around with combinations—I loved mixing patterns for her dress and hat. When it came time to adhere her, I used double-sided foam adhesive to add dimension.

Step 2: Choose Your Sentiment

Early on I came across "Let's Go Ghouls" from the Scrapbook.com Boo Time Stamp set, and it felt perfect—playful enough to support the witch without stealing her thunder.

Step 3: Create The Stage

Once I was happy with how she looked, I began laying out solid colors to go behind her. The Nested Notched Arches became my grounding layer—I knew patterned paper would compete too much here. Then I layered the striped paper behind the solid to create visual movement. Your eye travels up and down those stripes, which works perfectly with the vertical witch figure.

Step 4: Create The Background

At this point I began playing around with the background. I knew I wanted to use the diamond pattern as it had a vintage Halloween feel to the design, and it also wasn't overly busy so as to detract from the focal point. The spider web layer was created using the Scrapbook.com Spiderwebs A2 die. I trimmed off the border to give it a little more texture and openness to the design.

Step 5: Finishing Touches

Next I began adding the florals, again using papers from the Oak Lane Paper Pad and die cutting the various pieces from multiple colors until I was pleased with their arrangement. I used double-sided foam adhesive to give them a little bit of dimension. I then finished it off by tucking in some vintage-style ephemera in the way of some Tim Holtz Tickets and Stamps.

Design Techniques Worth Noting

Creating Depth Without Mixed Media

One of my biggest takeaways from this project? You can create serious dimension with just paper:

  • Layer various colors and patterns to build interest
  • Use foam adhesive strategically—not everywhere, just on key elements that should pop
  • Overlap elements intentionally to create shadows and depth

The Rule of Odd Numbers

Notice those three main yellow flowers? That's not an accident. Three creates visual interest, while odd-numbered groupings feel more organic than even ones. It's a design trick that works every time.

A Different Kind of Creative Energy

Normally, I would have built my own background using stamping, texture paste, stencils, and layers of ink. And honestly? I missed having my stamps and inks in hand—that's my comfort zone.

But this process taught me to trust good patterned paper and thoughtful layering. The Oak Lane Paper Pad did the heavy lifting on color and pattern coordination, which freed me up to focus purely on composition and storytelling. Different energy, but equally satisfying.

Coming Up in This Series

This is the first of four cards I'm sharing using Scrapbook.com Exclusives—each exploring paper-only cardmaking from a different angle:

  • Next: Christmas card — Foundation & Focal Points
  • Then: Love card — Dimension & Movement
  • Finally: Thinking of You — Vintage Vibes

Each card taught me something different about design principles that work across any style, mixed media or not.

Let's Connect!

Ready to create your own? Grab these Scrapbook.com exclusives using the supply list below.

I'd love to hear from you: Do you prefer traditional Halloween colors (orange and black) or something unexpected like these peachy corals? Drop a comment!

If you make this card, please tag me—I absolutely love seeing your versions!

Don't miss the rest of this series! Subscribe to my email newsletter so you never miss a new project, post, or video.

Halloween greeting card with whimsical witch illustration wearing coral dress and black hat, surrounded by yellow paper flowers, vintage tickets and stamps, with 'Let's Go Ghouls' sentiment on chevron patterned background

Supply List

Below you can find the supplies I used to create this card. When you shop through those links—whether you purchase that exact item or something else entirely—you're supporting me at no extra cost to you. The commission I receive helps me cover the costs of my blog and other expenses, and allows me to continue to provide you with FREE inspiration and tutorials. If you want to learn more about what an affiliate link is, you can see my full affiliate and product disclosure statement here. Thank you so much for your love and support!

Finding Joy Through Art Journaling | An Art Journal Page with Stamps and Stencils

Art journaling isn't something I do very often—that said, I have three art journals with random pages I've created over the years. Recently, I've felt a pull to do more of it. I'm not sure if it's just a creative phase I'm going through or something deeper, but the process is rewarding, and creative play is always good for the soul. We all know we need a little more joy in our lives these days.

Art journal spread featuring collage stamping technique with vintage imagery including light bulb, flowers, birds, and French text. Layers of yellow and blue distress oxide sprays over texture paste create dimension, with ephemera elements like tickets and die cuts adding visual interest throughout the page.

THE SUPPLIES I USED

I used some of the new Sizzix Studio stamp and stencil sets designed by Mark Montano, but you could really use any stamps and stencils you already have on hand. There are four sets, and each includes a collection of detailed clear stamps and three coordinating A5 stencils with a variety of designs and patterns perfect for adding beautiful layers and texture. What I love about these sets is how versatile they are—you can mix and match elements across all four collections to create endless combinations.

COLLAGE STAMPING  

I began with one of my favorite techniques—collage stamping—using a variety of stamps from three of the sets: Stitches, My Favorite Things, and Build It. I stamped the various images using Versafine Clair Ink in Nocturne. I love working with this ink because it's richly pigmented and dries quickly, which is perfect for layering. I didn't worry about placement being perfect; I actually prefer the organic, slightly chaotic look that comes from randomly stamping images across the page.


ADDING TEXTURE & COLOR  

Next, I added some texture by applying Distress Texture Paste through a damask-styled stencil from the Build It Set. The raised texture adds such beautiful dimension to the page. I then applied Distress Oxide Sprays in Rusty Hinge and Speckled Egg over the wet paste and dried them with my heat tool. The sprays react with the paste in the most gorgeous way, creating interesting color variations and depth.


ADDING LAYERS & EPHEMERA

From there, I layered in a variety of bits and pieces from my stash, including some Tim Holtz Tickets and Paper Strips. These ephemera-style pieces are perfect for art journaling because they add that vintage, collected feel without much effort. I also grabbed some die cuts from my scrap bin—that's just a bin where I toss extra die cuts that I make but don't end up using on projects. It's one of my favorite resources because I'm always surprised by what treasures I find in there. Some of the dies I used to create them include the Tim Holtz Leaf Fragments, Seth Apter Stretchers, and Seth Apter Diamond District. I also stamped a few images onto cardstock and fussy cut them to add into the mix, giving me even more layering options.


THE FINISHING TOUCH

Finally, I finished it off with a phrase from the Tim Holtz Clippings Sticker Book. I love how the right sentiment can tie everything together and give the page a sense of meaning or purpose. Sometimes the best creative moments come when we stop overthinking and just let our hands play. If you've been feeling that same pull toward your art journal, I hope this inspires you to dust it off and see where the layers take you.

Art journal spread featuring collage stamping technique with vintage imagery including light bulb, flowers, birds, and French text. Layers of yellow and blue distress oxide sprays over texture paste create dimension, with ephemera elements like tickets and die cuts adding visual interest throughout the page.

SUPPLIES

Below you can find the supplies I used to create this card. When you shop through those links and whether you purchase that exact item or something else entirely, you’re supporting me at no extra cost to you. The commission I receive helps me cover the costs of my blog and other expenses, and allows me to continue to provide you with FREE inspiration and tutorials. If you want to learn more about what an affiliate link is, you can see my full affiliate and product disclosure statement here. Thank you so much for your love and support!

Mixed Media Christmas Card Ideas | Seth Apter + Distress Oxides

I’m switching gears from spooky to merry today with a festive twist on mixed media! You may remember the two Halloween cards I recently shared using Seth Apter’s newest Sizzix release. Those designs had me completely inspired — and I couldn’t resist seeing how the same dies and embossing folder could work for a Christmas card.

Most Wonderful Christmas Card by Juliana Michaels featuring Seth Apter Dies and Embossing Folder 

His Sizzix designs are so versatile — full of organic texture and layered detail — that they’re perfect for every season. In this new video, I’m showing you how I combined Seth’s collection with a few Tim Holtz favorites to create a Christmas card that’s full of dimension, shine, and that signature pretty grunge vibe.

 

IN THE VIDEO

In my latest YouTube video, you’ll see how I:
  • Use Distress Oxides and embossing powders to build a richly textured background
  • Layer Seth Apter’s dies with Tim Holtz elements for a festive focal point
  • Add simple mixed media touches that work with any dies or embossing folders you already have
These techniques aren’t limited to holiday cards — you can easily adapt them for any season or occasion.

🎥 Watch the full video HERE or below.


Please feel free to use products from your stash to recreate something similar. However, if you are interested in any of the products I’m using, you can find the supply list with links down below. Using these links does not cost you anything extra and it helps support my business. It also allows me to continue offering free content and keep my class costs low. I appreciate your support!

MORE INSPIRATION

If you missed my earlier projects featuring Seth’s new release, you can check them out below. Each one explores a different way to use his dies and embossing folder to build layers, color, and texture — and you’ll see how easily these same techniques transition from spooky to sparkly!


Caught In A Spider's Web Halloween Card by Juliana Michaels featuring Seth Apter Dies and Embossing Folder


A Wicked Thing Halloween Card by Juliana Michaels featuring Seth Apter Dies and Embossing Folder

I hope these project inspire you to look at your favorite dies and embossing folders in a whole new way. With a little color, texture, and shine, you can create cards that feel festive and full of mixed media magic.

SUPPLIES

Below you can find the supplies I used to create this card. When you shop through those links and whether you purchase that exact item or something else entirely, you’re supporting me at no extra cost to you. The commission I receive helps me cover the costs of my blog and other expenses, and allows me to continue to provide you with FREE inspiration and tutorials. If you want to learn more about what an affiliate link is, you can see my full affiliate and product disclosure statement here. Thank you so much for your love and support!

Caught in a Spider's Web | Mixed Media Halloween Card with Seth Apter Dies and Distress Oxides

Hello there and welcome! Today I'm sharing my second make as part of the Seth Apter Creative Collective, which I am so excited to be part of. This is a group of six creatives hand-picked by Seth to help showcase his latest release of dies and embossing folders from Sizzix.

 

I absolutely love his style, and while it's quite different from mine, the core elements he uses are SO GOOD for layering and adding texture—two things I love to do!

Using some of the new goodies from his release, I created another Halloween-themed card because, well... Halloween! I just can't get enough of it!

Now let's get into the details!

CREATING THE BACKGROUND


I began with a piece of watercolor cardstock and embossed it using the Grid Graph embossing folder. Next, I applied Distress Oxide Sprays in Wilted Violet, Twisted Citron, Fossilized Amber, and Lucky Clover, then dried it with my heat tool. I rubbed an Archival Ink Pad in Black Soot over the embossed areas, then gave the entire panel a light misting of Distress Spritz in Hickory Smoke for a touch of shimmer and shine.

 

BUILDING THE LAYERS

For the back layer, I die-cut the Diamond District die from white cardstock, applied embossing ink, and heat embossed it using Seth Apter's Wow Embossing Powder in Amethyst Ice.

Next, I used the Stretchers die set to cut three shapes from white cardstock. I applied Distress Oxide Ink using a brayer in Wilted Violet, Twisted Citron, and Carved Pumpkin.


THE FOCAL POINT


For the main focal point, I used the Tim Holtz Witchcraft die set. I die-cut the witch from black cardstock and heat embossed it using Seth Apter's Wow Embossing Powder in Asphalt. The cat was inked with Distress Oxide Ink in Wilted Violet.

 

FINISHING TOUCHES


The final touch was the sentiment, stamped using black ink on white cardstock with the Tim Holtz Tiny Text Halloween Stamp Set. I trimmed it into small strips and inked the edges with Distress Ink in Black Soot.

I then adhered all the layers to the card base, and it was complete!

Thanks so much for stopping by, and I hope you enjoyed this bit of Halloween inspiration featuring the latest Seth Apter Sizzix release. The new release is now available from your favorite retailer or Seth Apter's online store HERE.

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